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   !!:     !!:  !!!     !:!    !:!      !!:      !!:  !!!  !: .:!  !!: !!:      !!: !!:  !!! !!:  !!!  
   : ::.: : : :. :  ::.: : ::.: :        :        :   : :    ::    :   : ::.: : :    : :. :  ::    :   
                                                                   

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    2910::::::::::::::::13::::::::::::16::::::::          ::::::::88::::::::::::61::::::::::::::::2072   
    5243                41            20                          17            80                8265   
    6141    Matias E    20    Ian     26   Marie          Alan    05    Jess    40    Mohamed     2245   
    5493     Reyes      47   Keaveny  38   Craven         Page    82   Taylor   17    Chamas      1035   
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    3347                                                                                          5970   
    9481                                                                                          1428   
    7109                                                                                          0926   
+   5929                                                                                          4981  +
    4728                                                                                          1665   
    1811                33            20            87            17            20                8427   
    5023 Carmel Barnea  03   Timothy  02   Peter    87   Milos    12   Swaeny   97   Sirasith     7949   
    3927 Brezner Jonas  71      D     76   Sansom   14   Peskir   82    Nina    56 Poopattanapong 9114   
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    032905071636582232783635360863993517__Curated_by_Orlando_Mee__511127478411059700113229457290396015   

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Corrupt Galatian, 2019

Milos Peskir

EPILEPSY WARNING
This video contains bright, flashing lights which may trigger a photosensitive reaction.
Do not continue if you experience epilepsy, migraines, or other photosensitive conditions.

Artist Statement

Corrupt Galatian represents the struggle for life of a/v elements - the physical fragility of digital material and human perceptive adaptation. The evolutionary closeness of humans and digital artefacts is the aesthetic/ontological base for this concept. The physical existence of the digital - inner struggle - digital death - digital remains - corrupt image of yourself - self culturcide.